This blog explores the act of walking and its ancient connection to philosophical thought. It will reflect on the process of Walking Piece, a project where 50 people will come together in South London to create a performance around the everyday movement.

More widely, these findings from the blog will also attempt to answer questions surrounding the impact of the Arts on those involved and those who are not, looking particularly at participatory dance.

Watch this space for interviews, photos, articles and other materials that we find in our wanderings.

Tuesday, 22 May 2012

Last words with Rosemary Lee on how dance helps us to understand better who we are...


I suppose the way that I think about who we are at the moment, our psyche, our being – is that we are many things. Many different parts, perhaps conflicting. Maybe what we are trying to do throughout our lives, if we have the luxury to do so is to find bridges between all those things. I think what dance can do is say this is part of you , you can experience this, feel this. There are lots of different things that dance can give you – one of them is how you can be with eachother. How tolerant you can be...How you can give up your ego, or not.
For example, if you’re in one of my pieces, you have to give up your ego. That’s why it can be therapeutic experience because I think the best way to live is fairly humbly. It’s hard I think because what bombards us is presenting yourself and being extrovert, more is better, have confidence, write persuasively, not creatively, persuasively! And nobody seems to question that…
The dance that you and I are involved in...what is it? Is it somatic? We used to call it new dance but we don’t really know how to talk about it. I don’t quite know how to even put it!

Of course it’s a utopian ideal - we all have egos and can’t tolerate things we should but I’m very interested in giving people a taste f this this very equal inclusive approach where everybody is respected fully and the same and everybody is looked after. Just to see if that could then change the way we are, the way we  live with eachother. I really believe in order to dance well, you have to be tolerant.

All those things affect how we live as a community. And then the more individual thing about knowing yourself, I think, for me it’s about a poetic state. It’s a difficult one because I think we are struggling with the borders of what this world of dance is. I really felt that when I was trying to talk about Gill, and thinking about sharing what she did. It’s really quite a small bit of the dance world we are talking about.I don’ know how to explain it. It’s creative, it tries to allow people to express themselves through improvisation… there’s lots of different things in there. I think if were talking about that world, you can learn about yourself through surprising yourself, discovering other places in yourself, its something more subtle than that.

One of the reasons I stay in the dance world is because, I love words, but, as soon as it comes out in words, it writes it in stone. But dance doesn’t quite do that, that’s why I stutter over even trying to answer you. Gill always talked like that in her reflections, keeping things unsettled, questioning. It’s hard though because then people can’t quite grasp it. What I’m trying to do it be clear about what I do but I’m hoping that that doesn’t destroy what I’m really doing which is almost unsayable. That can be seen as a cop out, academically. The closest thing for me, is poetry. It’s a word form. Something about keeping words so open that it unlocks something much bigger than itself. To feel your feet on the ground, is not just to feel your legs dropping, feel yourself being in an alignment but its also about feeling yourself as a single individual standing on the earth for the first time again. To feel connection with the ground. To feel it rather than to know it. All those things are massive and fundamental to our well being, Scary too, because it can leave you in a lonelier place somehow.

 I think they are a resource. When things go wrong, maybe knowing what it feels like to stand on the earth, just for a moment, might get you through. With people I work with, and this goes beyond dance, is that I am hoping I am developing their observation skills. To be more observant in all their senses of the world around them. If you have that, and can keep that open, then there is more potential to finding solutions and the good in something. A mindful state. So knowing yourself, is not only knowing yourself, but knowing everything around you. Dance for me, is part of that practice. How does a technique class link into that? I don’t know. Is it about finding the logic in that, finding the logic in the dance? A lot of it I’m not sure about, but they are good questions to ask, but not to get hung up on them – there’s no definite answer. For years I thought there were these definite truths I thought you’d find. 

Feeling peaceful is important though, in a world which is often not peaceful. We are lucky to have those moments.

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